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Fast Company Cover

Anatomy of a Cover Shoot

Fast Company asked me to shoot their cover in  August for their Masters of Design issue. The idea was to shoot four Design for America students who represent the future of American design.  They wanted to portray the idea of Made in America. Originally we were going to try a girl in a t-shirt that said “Made in America”. We had much back and forth about which products/images were seen as being truly American. Mickey Mouse hat, Disney Princess designs, Puritans, Facebook, Apps etc.

Leslie dela Vega, the Photo Director of Director of Fast Company, told me “We want a really energetic group shot”. I was thinking it needed to be highly designed. She kept steering me back to energetic. Working with Leslie is always great because she is a very positive and empowering person. Leslie knows what she wants and will keep collaborating until she gets it.

We had the students for the day which was a large amount of time to have for a shoot. Leslie wanted me to try the following 1000 options (haha).

  1. 4 girls together on colored background
  2. solos of each girl on colored background
  3. 4 girls together writing on a pane of glass
  4. solos of each girl writing on the pane
  5. girls writing in all white . I thought stars would be cool
  6. group shot of the girls with a flag
  7. solos of each with a flag
  8. group shots of girls spray painting the logo of fast company with soft lighting
  9. singles of logo painting
  10. group shots of girls under the logo of fast company with hard lighting
  11. singles of logo painting with hard lighting
  12. to appease me leslie got the puritan hats ( but wasn’t really into them)

The students turned out to be easy, fun and photogenic. Rose Garcia styled them and we had good colorful options and white options. After we got to know each other, we ended up coming up with so many options. I think that props are always great because it gives the subject something to do and relaxes them. The cover they picked was colorful. I would have been happy with one of the single shots with the hair flying as well

My retoucher Pablo always has great ideas too. When he saw the photo of the girl with the flag he tried it with a light cyan background, which i totally loved.

Shoot Details:

PhotoEditor: Leslie dela Vega

Creative Director: FLorian Bachleda

Editor: Rick Tetzeli

Photographer: Erin Patrice O’Brien

Photo-Assistants: Jonathan Fasulo, Diego Hugo

Prop Stylist: Eric Hollis

Wardrobe Stylist: Rose Garcia

Hair and Makeup: Michelle Coursey

Studio: Tribeca Skyline Studios

Subjects: Ada Ng, Alix Gerber,Tara Jasinski,Mariel Strauch

24 hours in Cherry Grove, Fire Island

Last weekend I did a field trip to see celebrity dog owner Carlene Mahanna in Cherry Grove on Fire Island. Carlene is the proud owner of Emmet, Mei-Mei and Kiki-Lu.

Carlene with her 3 chihuahuas

Carlene with her 3 chihuahuas

Carlene takes her three dogs everywhere and is well known on the island because of this. Emmet has been featured in various newspapers, magazines and fashion shows. Carlene and I have known each other since I was 20 year old college student and she ran the vintage store in Philly, “Something Blue”.

At night we went to see Porsche the drag queen perform at the Ice Palace in Cherry Grove.

I haven’t had so much fun in a long time. Porsche covered Adele, Dolly Parton, Cher and Dusty Springfield.

She has many loyal fans who come up on the stage every other minute and stuff dollar bills down her chest.

Some of them are called the M and M’s and they wear high heels with their madras shorts. They were sitting right next to us.

Porsche is an amazing performer and was so much fun to photograph.

Wanda Sykes was in the audience and she also came up on stage and stuffed Porsche’s dress. I was going to tell her that I’m from Media too, since she lives in my hometown of Media, PA, but the timing wasn’t right… Haha like she would have cared.

In between her sets, another drag queen called Busted did scenes from movies.

She was hysterical and insane. While Busted was performing her second act she was kind of going crazy.

The audience followed suit by throwing everything from dollar bills to paper and then one of the M and M’s grabbed Carlene’s leftover roasted pork dinner which was sitting on our table. He gave the container to Busted who opened it on stage and started eating the pork while doing her act.

Carlene said she took it home with her…

Ten years ago with Anthony Weiner

In November of 2001, I photographed Congressman Anthony Weiner for that December’s issue of New York Magazine. Chris Dougherty was the photo director. Weiner’s office was out past Bay Ridge in Brooklyn  on the water. It was a cold, blustery day and we did several shots of him in the office and some outside on the docks. He was a smart, affable but nervous guy. I liked him and in some ways I think I didn’t want to let him down by making him look like a nerd. This was hard. He had a babyface and his expressions lent to goofiness. His head, hands and feet seems oversized with his tall super-skinny frame. In the end the photo that Chris chose seems to sum him up.

As a photographer, the fact that Congressman Weiner chose Twitter to upload his pictures is scary. Now they own the rights to license them… forever. I guess he didn’t read the fine print.

I had a bit of nostalgia when I went to find the 11×14 kodak box with this job. I opened it to look at 20+ contact sheets in color and black and white. Prints which had been printed by Printzone, my old lab were in wax coated envelopes with a range of three. In my studio I am surrounded by over 900 yellow 11×4 boxes of jobs before 2005. They take up a ton of space. Most of the jobs after 2006 are in an 8 TB hard drive. Its crazy.

Erykah

Erykah

5am to LGA to Dallas . It was me, Alain Ket, the photo editor from Vibe, Melanie Harris the makeup artist and Jonathan Fasulo, my assistant. We were going to shoot Erykah Badu nude for the cover of Vibe. She had recently released a video for her song Window Seat where she walks through Dallas stripping off her clothing.

The night before had been a flurry of conversations. Erykah had decided that she wanted to work with her personal photographer in Dallas. I was disappointed and had called Jonathan to tell him the job was off. We had our tickets but Erykah was nervous about the shoot. So I had a glass of wine and started to hang out at our friend’s party thinking I didn’t have to work the next day. At 10pm, Alain calls me and says “ You are back on for tomorrow”. I change my gear into packing mode.

12 noon. We arrived in Dallas and bought our backdrop and were kind of killing time. Erykah’s camp sent word to come at 3 instead of 2pm. So we hung out at a Taco stand. I started thinking this might take awhile.

Erykah is an icon. I have been a fan since I used to listen to Baudizm while printing in the darkroom I rented on 3rd and Avenue C in 1997. I was still assisting and bringing my book around. I had done some shoots for Stress and Vibe. Ironically Alain Ket was the editor of Stress and he had given me my first job. Sometimes when I shoot artists whom I am a fan of I get disappointed. I already have my idea of who they are, I like their songs and I know that once I photograph them things will change in terms of how I listen to their music. Because in some small way I will feel like I know them, because we have had this shoot and connection. And I have photos to tag each memory of the day.

3pm .So walking into the Erykah shoot I was feeling weird knowing she didn’t want me to be the photographer. Erykah has a very sarcastic sense of humor and I was taken aback at first. Erykah lives in a house surrounded by powerful women and she is the queen. She has three children. Two of them were there. Her daughter Puma is around the same age as my daughter Maya. Puma was the sweetest loving child. As a mother when I see someone who has good children I have respect for them. It is not easy to raise a child who is not a brat. I struggle with it. I have seen celebrities use their kids as pawns and show ponies and I have to say that the first thing that impressed me about Erykah was just that she is an awesome mom. Erykah’s mom Queenie helps her with her kids. Erykah has a baby who was still nursing and we took lots of breaks for this.

Melanie Harris has been working with Erykah since the beginning. Melanie is one of the funniest people you will ever meet on a photoshoot. But more than that, she does beautiful makeup. I have worked with her many times over the years and am always amazed by her sense of color. She and Erykah had an idea about body paint. We walked around the house and outside and found 6 great places to shoot. A treehouse, a kind of Buddhist backyard, an atelier, and the porch attached to her room (which had tons of cool kids books sprawled across the floor).

6pm We did a cover try first with Erykah’s hair natural. After I shot off a few frames, Erykah said let me see it.

( Ok, I hate that! Maybe I don’t have it where I want it. Maybe I’m still figuring it out. And women are the worst. Just trust me! I’m not going to pick a bad picture. For this I miss film.)

So Erykah says “Erin, this is how I work.” …And so I handed over the camera. But then it was fine. She saw what she needed to do. Erykah is a pro and knows her best angle. Alain wanted to do a shot with her saying shh with her finger up. We talked about different words to put on her finger and they came up with Amerykah. Vibe wanted some shots of her around the house in various poses nude. Erykah was less into the idea. She came out with a beautiful rainbow wig and we took some pictures with it… And then it started pouring rain. So we couldn’t shoot in any of the outdoor locations.

Erykah’s house has a lot of stuff. It’s a huge house with so many rooms and side rooms and porches and yards. Colorful paintings, posters, plants, books, magazines, photos and just tons of stuff. Everywhere you look there is something unique and cool. At this point it was 8pm. We had done just the cover try. We had to figure out the feature and all of our locations were out. We started doing a shot of her painting and I wasn’t really feeling it and then she wasn’t either. 9pm…

Jonathan in Erykah’s atelier

We all sit down for a meeting and Erykah says that she doesn’t want to do the nudes around the house. So after much discussion and me having to let Queenie, her mom, also look at all of the pictures(!), we decided to do the body paint.

10pm. Erykah took a little meal break and invited me up into her bedroom. She had the most amazing spread of vegan food.And then we just hung out for an hour alone. And that was really cool. I was showing her music I like and she showed me some photos. Her room is like the rest of her house amazing with tons of cool hats, clothes and shoes lining every inch of the walls.

Melanie doing the body paint. Alain Ket with the reference. Queenie behind Erykah.

11pm Melanie starts the makeup .

Midnight We do the first body paint shot.

1am Alain takes over doing some of the body paint. Baby Mars is awake and running around keeping us all entertained. Plus I learn tons of interesting things about Erykah which are private and I can keep a secret.

Jonathan catnapping during the tons of waiting time

2am We do the next body paint shots and decide to reshoot the cover. This ends up being the cover shot.

Erykah in the opener shot

3am The final final shots. And we are finished. At this point Erykah wants to see every shot. I’m just so tired that I let her. But then she also wants to delete every shot she doesn’t like…

I’ve never.

Done.

That.

Before.

But now its 4am and I’m so tired and she is telling me that she doesn’t want certain shots out there. Which I understand but I also think she should trust me because I’m not that kind of photographer. The she says she will send her mom after me if anything bad comes out and I’m kinda scared because her mom has been shooting us dirty looks since we arrived. Haha. We wrap and leave and are all zombies. Jonathan tells me as we leave that he had already backed up the entire shoot before she looked at it.We get to the hotel at 430 am. We have to get up at 630am to be at the airport by 830am. The End.

this was shot at 4am. photo by Jonathan Fasulo

Seve

In May 2010, I had the incredible opportunity to photograph Seve Ballesteros for Golf Digest in Santander, Spain.

Seve outside of his house.

We arrived on Thursday the 29th after an overnight flight to Spain followed by another short flight to Santander. With me were my assistant Jonathan Fasulo and writer Jaime Diaz. Seve has been undergoing treatment for brain cancer so it was a sad shoot. The photo editor told me there was a chance that the shoot wouldn’t happen if he wasn’t feeling well that day and I was apprehensive.

The first day we walked around Santander and checked out Seve’s office and the golf course where he used to caddy as a young boy on the Island of Pedreña. Jonathan and I took the ferry and walked about a mile in the rain to get to the course. After struggling for a good ten minutes in my present tense Spanish to explain who we were, the manager answered me in perfect English and hands us the key to one of their electric golf carts. Pretty sweet.

Royal Pedreña Golf Club

The first night, Seve’s nephew Ivan took us all to dinner at a modern seafood restaurant. It was delicious. I got to watch Jaime Diaz in action interviewing Ivan, which was very interesting. Ivan is very close to his uncle and told me the limitations for the shoot.

Ivan standing in for his uncle.

We arrived at Seve’s and Ivan showed us around while Jamie did the interview. His house is amazing, set on a hill overlooking the Pedreña Golf Club. He has an indoor pool and a 9 hole golf course outside. When Seve came outside to shoot, we had the lights prepared. It was windy and Jonathan had to hold up the light. I shot about 30 frames and got the signal from Ivan to wrap it up. We had already set up for inside and Seve agreed to do a second shot quickly. He was tired and I think overwhelmed by the interview and all of the photoshoot but still managed to put on a good face.

Seve inside of his house in Pedreña, Spain.

The photo which Golf Digest chose for the opener shows his vulnerability. It wasn’t my first choice but since then I have read Jaime’s article, I think it’s a good fit.